本作于2009年东京国际动画节首度公开，系由东映Animetion以及Mag Garden共同企划的新作。本作是一部治愈系作品，两名主人公分别是实干型的姐姐·Hikari，以及有点奇怪的妹妹·Hikaru（中文都是“光”），故事就是讲述姐妹俩守护父母留下的田地，并种出美味的大米的故事。当中除了有暖人心扉的治愈系剧情之外，还提出了一些现实中的农业问题，这两个主题共同构成这部集萌与科学于一体的作品。 　　【CAST】 　　越野hikari：三上枝织 　　越野hikaru：辻步 　　宮城小町：广田诗梦 　　黒羽满：真堂圭 　　花畑吉良利：高冈香 　　【STAFF】 　　动画制作：东映动画

你有在吃美味的米饭吗？努力家的姐姐光。有点不可思议的妹妹辉。「农业娘」讲述的是可爱的两姐妹守护双亲留下的田地种米的故事。悠悠闲闲的温暖喜剧和密切联系到农业问题的真实故事。敬请品尝两种口味的款待吧！

Machines are checking and sorting nature in an industrial greenhouse. Cameras enable the robots to do their work. Human hands only intervene to straighten anything that is crooked, plant delicate items or clean the mechanics to ensure things continue to run smoothly. Products must be up to standard so that they are market-ready for the consumer. Only at night, when everything is asleep, does unexpected life move in and take control.

在农业迎来闲散期的冬天，在旭川开展了相亲派对。从各地赶来的农业继承者们纷纷盛装出席。为了继承自家产业，一个有实力的合作伙伴是不可缺少，于是便开始挑选夫婿。上富良野町作为团体领头人，父亲幸雄极力反对家中独女广濑菜摘继承家业。因为北海道的农业与本州有很大差别，规模大经营困难，不适合力气小，不精通操作机械的女孩子。另一方面，菜摘的好友泽木由佳，也陷入选择农业还是爱情的两难境地。总之，北海道的农家女子，想要继承家业并不是一件容易的事。她们将采取何种行动，最终又是否能被认可成为继承人，并且收获爱情呢？

在农业迎来闲散期的冬天，在旭川开展了相亲派对。从各地赶来的农业继承者们纷纷盛装出席。为了继承自家产业，一个有实力的合作伙伴是不可缺少，于是便开始挑选夫婿。上富良野町作为团体领头人，父亲幸雄极力反对家中独女广濑菜摘继承家业。因为北海道的农业与本州有很大差别，规模大经营困难，不适合力气小，不精通操作机械的女孩子。另一方面，菜摘的好友泽木由佳，也陷入选择农业还是爱情的两难境地。总之，北海道的农家女子，想要继承家业并不是一件容易的事。她们将采取何种行动，最终又是否能被认可成为继承人，并且收获爱情呢？

ABC拿下Michael Colton及John Aboud合作编写的家庭喜剧项目《家庭经济学 Home Economics》，这喜剧灵感来自Michael Colton的家庭，以三个兄弟姐妹的竞争…

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

Omelia Contadina was born out of the concern of JR and film director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy. 　　Alice Rohrwacher explains the origins of the project: “Last autumn, during a walk on the border between Umbria, Lazio and Tuscany, I told my friend and artist JR of my concerns about the destruction of the agricultural landscape, violated by the intensive monocultures with which major corporations are shaping entire territories. I told him, as the daughter of a beekeeper, of the mass death of insects that such changes bring about, and of the struggles of small farmers as they try to stem the tide of speculations, subsidies and pesticides. At one point, we stopped at a crossroads: on all sides, uninterrupted rows of hazelnut trees filled the landscape as far as the horizon. As we looked upon this, we commented to each other that it looked like a war cemetery. On the way back we decided that since it looked like a cemetery, we had to hold a funeral. But it had to be a funeral full of life, like a hymn of hope dedicated to all those who keep us alive day after day, producing the food we eat. ». 　　Alice Rohrwacher and JR returned to the region in early November 2019 to implement their project. The portraits taken by JR of 2 women and 2 men farmers, standard-bearers of traditional agriculture, were printed on large tarpaulins, which the farmers of the Alfina plateau, as well as the inhabitants of the villages of Castel Giorgio and Onano, carried in a filmed procession to the sound of a traditional local brass band. The portraits were then placed in tombs dug in the fields belonging to the farmers. Eulogies were given and the graves were filled in, marking the end of both the film and the symbolic burial. 　　The short film Omelia Contadina, co-directed with Alice Rohrwacher, premiered at the 77th Venice Film Festival (2020). 　　The project is the subject of an exhibition at Galleria Continua, in San Gimignano, from September 26, 2020 to May 2, 2021.

"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide 　　"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. 　　The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson 　　"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

本剧是以山东龙大集团为生活原型，而创作摄制的。反映农民企业家的创业生活。 　　主题曲：你的尊严 　　演唱：范琳琳 　　作曲：孟庆云